Sculpture & Environmental Art

Stow Building, 38 students

Sculpture & Environmental Art at The Glasgow School of Art is one of the few specialist undergraduate programmes in the UK, and the only one in Scotland, dedicated to exploring relationships between object-making, art in public and social engagement, underpinned by contemporary critical and cultural debates and conditions.

While Sculpture has been taught at the Glasgow School of Art since the 19th century, the introduction of Environmental Art in the mid-1980s and the creation of a single, integrated programme in 2001 has led to a pioneering, influential and cross-disciplinary approach to fine art education and contemporary art practice.

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from The Hills (2020)

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from The Old Man & the Stones (2019)

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from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

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from The Head Massager

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from The Head Massager

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from Add Footnote to Me, Zhijun, and Jia

from Add Footnote to Me, Zhijun, and Jia

from Female Salon

from Add Footnote to Me, Zhijun, and Jia

from Add Footnote to Me, Zhijun, and Jia

from Vital Invertebrates – at the Hidden Gardens

from Shifting Textures

from Quarry

from Quarry

from Vital Invertebrates – at the Hidden Gardens

An image of an angel carved from wood and mounted to the wall. His legs are spread and his hands planted firmly on his knees. The room is lit with purple and blue light.

from Romance Dawns

An unpainted wooden structure with a white door which sits ajar. A white figure is seen crouching inside.

from Romance Dawns

An angel carved from wood, mounted to the wall. It's legs are spread and hands are planted on its knees. The edge of a large CRT monitor is seen on the left side of the image, in front of the angel.

from Romance Dawns

A disjointed figure made from wood, steel, plaster, and mesh holding an old CRT monitor which is too brightly lit and out of focus for the video on the screen to be clear.

from Romance Dawns

A grid of 4 different black and white images. One illustration is of grey hills, one is hills with a tower and a bird in between them, one is a giant angel stepping over the hills, and the last one is bells wrapped in ribbon and floating above the hills.

from Romance Dawns

from Walking the Dark Map

from Walking the Dark Map

from Backpack

from ‘Fireflight’ at the Hidden Gardens

from Backpack

from Home In A Foreign Place? (2020)

from Have A Seat (ii) | Zine (2022)

from Have A Seat (ii) | Zine (2022)

from Have A Seat (ii) | Zine (2022)

from Anamnesis (2022)

from It couldn’t be that good, although they said it would

from Don’t Talk to me about Love

from It couldn’t be that good, although they said it would

from It couldn’t be that good, although they said it would

from It couldn’t be that good, although they said it would

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from The Metal Lunch Club

from Still Life

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from Misc

from Bow your Head (2022)

from Bow your Head (2022)

from Gone (2022)

from Bow your Head (2022)

from Gone (2022)

from A Possession of Sorts

from Holding places

from Holding places

from Holding places

from Holding places

from The Abolition Workshops Quilt

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from The Abolition Workshops Quilt

from The Abolition Workshops Quilt

Still from 'Untitled', mini DV, 2022

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from Finn and the Forge

from Finn and the Forge

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from The Graveyard/The Students

from The Graveyard/The Students

from The Graveyard/The Students

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from The Graveyard/The Students

from A Whole Nother Beast

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from Connections

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from Connections Responses

from A Landscape Known

from Mild steel chairs

from Mild steel chairs

from Have you ever caught a spore?

from Have you ever caught a spore?

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from your body as a field of sensation

from felt rememberings

A still image of a muddy puddle. The water in the puddle is reflecting the cloudy sky and tree branches above it. The puddle is lined with stones and wet leaves. The text on the bottom centre of the image reads: "wet and soft,"
A still image of a grassy background with white text on top. The text reads: "ELEGY By Amy Brandon 2022"

from Elegy

An image of a printed booklet sitting on a shelf. The shelf looks worn with age and distress. The booklet is an off-white, cream colour, with a title and other text on the front. The text reads: "A world that I love(d), a collaborative exploration of locale." The shelf is installed on a bumpy, wood-chip textured wall.

from A world that I love(d)

An image of a hand-written text piece hangs on a wall. The wall has a bumpy, woodchip texture and is painted magnolia. The piece is hanging by a dowel, which is strung up using white yarn onto a nail in the wall. The text is written in olive-green ink. A large piece of masking tape above the text piece reads: "Cessation"

from Cessation

still image of the interior of a bus int he background. In the foreground are 3 portrait orientated images of fireworks. There is text along the bottom which reads "because I can't handle it"

from teleportation

a still image of the interior of a bus. There is text along the bottom which reads: "why must I leave?"

from teleportation

from Little Pockets of Care, 2021/2022

from Little Pockets of Care, 2021/2022

from FAILING TO SERVE, 2022

from As Glasgow Cracks, 2021-current

from FAILING TO SERVE, 2022

from the moving image/the altar

from the text

from the text

from the moving image/the altar

from the moving image/the altar

Degree Show

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from Untitled Installation, Govan Project Space (2022)

Untitled, Riverside Installation (2022)

from Untitled Installation, Riverside (2022)

from ‘Murky Solitude’ (2021)

from Untitled Installation, Riverside (2022)

from Untitled Installation, Govan Project Space (2022)

from Seeds

from Seeds

from Seeds

from Seeds

from Seeds

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from Blow The Cobwebs Off Of Your Careless Soul

from The Secret Garden

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from Movable Murals

from Environmental Sundials

from Nomadic Sundial

from Nomadic Sundial

from Environmental Sundials

from Nomadic Sundial

ceramic vessel resembling a placental, glazed red with speckles in the foreground. Dark glazed vase in the background. Both are on top a white plinth

from All is One

from A Landscape For You

from A Landscape For You

from A Landscape For You

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from Love Lock, 2022

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from The price of reflection, 2022

from Wonder of Pleasure, 2022

from Love Lock, 2022

from Concreterie

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from Concreterie

from I was there but I wasn’t there(21 Jan 2022)

from I was there but I wasn’t there(21 Jan 2022)

from I was there but I wasn’t there(21 Jan 2022)

from Lonely Planet

from Lonely Planet

from ‘Life is Mean and Dirty’, screen print series.

from ‘Life is Mean and Dirty’, screen print series.

from ‘And Once He Used to Love Me’.

from ‘And Once He Used to Love Me’.

from ‘Life is Mean and Dirty’, screen print series.

from Studies for a Fall

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from Finding His Iris

from Sections

from Finding His Iris