Sculpture & Environmental Art

Stow Building, 38 students

Sculpture & Environmental Art at The Glasgow School of Art is one of the few specialist undergraduate programmes in the UK, and the only one in Scotland, dedicated to exploring relationships between object-making, art in public and social engagement, underpinned by contemporary critical and cultural debates and conditions.

While Sculpture has been taught at the Glasgow School of Art since the 19th century, the introduction of Environmental Art in the mid-1980s and the creation of a single, integrated programme in 2001 has led to a pioneering, influential and cross-disciplinary approach to fine art education and contemporary art practice.

Magazine

The Skinny Degree Show Special

ceramic vessel resembling a placental, glazed red with speckles in the foreground. Dark glazed vase in the background. Both are on top a white plinth

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from Still Life

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from Mechanical Hand

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from The Head Massager

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from Studies for a Fall

from Finding His Iris

from Studies for a Fall

from Finding His Iris

from Finding His Iris

from Picture Day

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from D0NC4N

from Picture Day

from D0NC4N

from ‘Fireflight’ at the Hidden Gardens

from ‘Fireflight’ at the Hidden Gardens

from ‘Fireflight’ at the Hidden Gardens

from Backpack

from Walking the Dark Map

from felt rememberings

from your body as a field of sensation

from your body as a field of sensation

from felt rememberings

from felt rememberings

from Bow your Head (2022)

from Gone (2022)

from Gone (2022)

from Bow your Head (2022)

from Bow your Head (2022)

A still image of a muddy puddle. The water in the puddle is reflecting the cloudy sky and tree branches above it. The puddle is lined with stones and wet leaves. The text on the bottom centre of the image reads: "wet and soft,"
still image of the interior of a bus int he background. In the foreground are 3 portrait orientated images of fireworks. There is text along the bottom which reads "because I can't handle it"

from teleportation

An image of a printed booklet sitting on a shelf. The shelf looks worn with age and distress. The booklet is an off-white, cream colour, with a title and other text on the front. The text reads: "A world that I love(d), a collaborative exploration of locale." The shelf is installed on a bumpy, wood-chip textured wall.

from A world that I love(d)

An image of a hanging hand-written text piece. The piece is hanging by a dowel, which is strung up with yarn onto a nail in the wall. The wall is a bumpy, wood -chip texture that is painted magnolia. The text is written in olive-green ink. A large piece of masking tape is above the piece reading: "Cessation"

from Cessation

a still image of the interior of a bus. There is text along the bottom which reads: "why must I leave?"

from teleportation

an image of a monitor mounted on a wall. The monitor is playing the video piece "elegy"

from Elegy

Untitled, Riverside Installation (2022)

from Untitled Installation, Riverside (2022)

from Untitled Installation, Govan Project Space (2022)

from Untitled Installation, Riverside (2022)

from Untitled Installation, Govan Project Space (2022)

from Untitled Installation, Govan Project Space (2022)

from A Landscape Known

from Mild steel chairs

from Have you ever caught a spore?

from Have you ever caught a spore?

from Mild steel chairs

from Holding places

from Without Time

from Holding places

from Holding places

from A Possession of Sorts

from As Glasgow Cracks, 2021-current

from FAILING TO SERVE, 2022

from FAILING TO SERVE, 2022

from As Glasgow Cracks, 2021-current

from Disrepair 2022

from The Graveyard/The Students

from The Graveyard/The Students

from The Graveyard/The Students

from The Graveyard/The Students

from The Graveyard/The Students

Degree Show

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from The Places I’ve Been

from The Object Lives (2022)

from The Old Man & the Stones (2019)

from The Object Lives (2022)

from The Object Lives (2022)

from The Object Lives (2022)

An image of an angel carved from wood and mounted to the wall. His legs are spread and his hands planted firmly on his knees. The room is lit with purple and blue light.
A disjointed figure made from wood, steel, plaster, and mesh holding an old CRT monitor which is too brightly lit and out of focus for the video on the screen to be clear.

from Romance Dawns

An angel carved from wood, mounted to the wall. It's legs are spread and hands are planted on its knees. The edge of a large CRT monitor is seen on the left side of the image, in front of the angel.

from Romance Dawns

An unpainted wooden structure with a white door which sits ajar. A white figure is seen crouching inside.

from Romance Dawns

from Romance Dawns

A grid of 4 different black and white images. One illustration is of grey hills, one is hills with a tower and a bird in between them, one is a giant angel stepping over the hills, and the last one is bells wrapped in ribbon and floating above the hills.

from Romance Dawns

from Wonder of Pleasure, 2022

from Love Lock, 2022

from Wonder of Pleasure, 2022

from The price of reflection, 2022

from Wonder of Pleasure, 2022

from Nomadic Sundial

from Environmental Sundials

from Environmental Sundials

from Environmental Sundials

from Environmental Sundials

from Anamnesis (2022)

from Anamnesis (2022)

from Have A Seat (i) (2022)

from Home In A Foreign Place? (2020)

from Have A Seat (i) (2022)

from Lonely Planet

from Lonely Planet

from Lonely Planet

from I was there but I wasn’t there(21 Jan 2022)

from I was there but I wasn’t there(21 Jan 2022)

from Movable Murals

from The Secret Garden

from Movable Murals

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from The Secret Garden

from Concreterie

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Still from 'Untitled', mini DV, 2022

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from Finn and the Forge

from Shifting Textures

from Quarry

from Cycle

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from Vital Invertebrates – at the Hidden Gardens

from ‘Life is Mean and Dirty’, screen print series.

from ‘Days… They Go On and On’

from ‘Days… They Go On and On’

from ‘Dust and Fog of your Lonely Streets’.

from ‘Days… They Go On and On’

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from Failure to Perform (2022)

from It couldn’t be that good, although they said it would

from It couldn’t be that good, although they said it would

from It couldn’t be that good, although they said it would

from You’re Tomorrow 2018 – 2022

from It couldn’t be that good, although they said it would

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from The Abolition Workshops Quilt

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from The Glasgow Prisoner Solidarity Fundraiser Quilt

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Mounds, 2020-2022 (ongoing)

from Connections Responses

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from Add Footnote to Me, Zhijun, and Jia

from Female Salon

from Female Salon

from Add Footnote to Me, Zhijun, and Jia

from Add Footnote to Me, Zhijun, and Jia

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Ouch! Careful, they’re sharp.

from Slugferno

from A Whole Nother Beast

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from the space between bury heal and nella

from the space between bury heal and nella

from the space between bury heal and nella

from the slabs / ringtones

from the space between bury heal and nella