MDes Communication Design

Reid Building, 26 students

The Master of Design (M.Des) in Communication Design is a two year programme delivered by the Department of Communication Design at Glasgow School of Art. The programme is practice-led and process-oriented in relation to definitions of broad design practices. It is also committed to the acquisition of principles within design theory relating to educational and commercial contexts. The programme provides rigorous methods for the interrogation of visual and textual research, positing questions relating to the role of the designer in society, and fundamental questions regarding personal and social responsibility.

Catalogue

MDes Communication Design Catalogue

Magazine

The Skinny Degree Show Special

from Mariano Salluzzo – Family Book

from Through Letters*

from Sicilian Comic Melancholy

from Mariano Salluzzo – Family Book

from Sicilian Comic Melancholy

from Interstellar

from Interstellar

from Interstellar

from Interstellar

from Interstellar

from Aquarium

from Imaginature

from Imaginature

from Imaginature

from Aquarium

from Murmur

from Murmur

from Murmur

from Into the Ocean

from Murmur

from The Painted Skin

from The Painted Skin

from The Painted Skin

from The Painted Skin

from The Painted Skin

from Corporate Slave

from Typeface

from Corporate Slave

from Corporate Slave

from Corporate Slave

from You Are What You Eat

from Unnatural Food

from Comfort Food

from Unnatural Food

from Comfort Food

from Sketchbook work

from Fellout (working title)

from Aquarius

from Aquarius

from Fellout (working title)

from Psyche

from Sacred Beasts

from Psyche

from Psyche

from Psyche

from The New North

from The New North

from The New North

from The New North

from The New North

from Miss

from Miss

from They

from Miss

from Miss

from The Curse of Lovely-Motion Design

from The Curse of Lovely-Motion Design

from The Curse of Lovely-Motion Design

from The Curse of Lovely-Motion Design

from The Curse of Lovely-Motion Design

from Tree

from A to THE

from A to THE

from Eating Pattern*

from Eating Pattern*

from Third Culture Museum

from Eating Pattern*

from Eating Pattern*

from When I start to draw

from When I start to draw

from How I finished my work

from When I start to draw

from Sketchbook

from The Tulips Story

from Last Corner in Glasgow

from Last Corner in Glasgow

from The Tulips Story

from Invading Green

from TO LOVE

from TO LOVE

from TO LOVE

from TO LOVE

from TO LOVE

from MonoDev- a contemporary Indic Type Family

from MonoDev- a contemporary Indic Type Family

from MonoDev- a contemporary Indic Type Family

from Magazine-Only for Her

from Magazine-Only for Her

from Magazine-Only for Her

from Magazine-Only for Her

from Magazine-Only for Her

from Le Sens Du Partage

from Le Sens Du Partage

from Le Sens Du Partage

from Le Cap Martin

from Le Cap Martin

from Los Otros

from Los Otros

from Los Otros

from Los Otros

from Insomnus

from Explore the growth

from Explore the growth

from Explore the growth

from Mycelium letters

from Crystalline letters

from Sketchbook

from Waiting to be Occupied

from Sketchbook

from Other Works

from Waiting to be Occupied

from Typeface

from Image Design

from Image Design

from Publication

from Typeface

from Sketchbook

from Sketchbook

from Museum

from Sketchbook

from Sketchbook

Green book with gold lettering that reads 'In Good Faith' with a glyph underneath and a red ribbon. The book is photographed in natural light and there are diagonal shadows from a nearby window.
Detail of an A3 print of concrete poetry with black, red and inklessly debossed words against a white brick background

from In Good Faith – Concrete Poetry

Green book with gold lettering that reads 'In Good Faith' with a glyph underneath. The book is viewed face-on at an angle, so it fills the frame diagonally against a white background.

from In Good Faith – Book

Open book displaying the decoarative end pages of the book. The decorative pages consist of a delicate recurring red 19th C pattern. The book is held open by a hand on the right side, against a white background.

from In Good Faith – Book

Detail of A3 print of concrete poetry with black, red and inklessly debossed words against a white brick background

from In Good Faith – Concrete Poetry

Detail of A3 print of concrete poetry with black, red and inklessly debossed words against a white brick background

from In Good Faith – Concrete Poetry