Winner

RSA New Contemporaries

Painting & Printmaking School of Fine Art

Sasha Ballon (she/they)

I am a visual artist and tree surgeon based in Glasgow. My practice is the meeting point of craft and trade. I use collage to incorporate moving image, performance, textiles, installation and sculpture. I place craft as a site of resistance: inherently queer for its potential to upend categorical ways of making. I bring the physical act of craft into a digital context through manipulation of archival video. The warp and weft on the loom mirrors how I approach collaging with moving image.

I use weaving and textiles within my work as a metaphor for physical strength in softness.I combine welding, chainsaw wood carvings, and tapestry weavings to compare soft and industrial processes. My chainsaw carvings take on figurative qualities while never being exact replicas. It’s within my performances where the figurative objects come into being and life.

I use a world-making approach to build characters which I place into environments to explore. Within my performances I engage with narratives of fear/desire/pleasure/power. My performances are movement collages which use the body as an extension of sculpture. The collages follow a looping structure which uses failure and dysfunctional movement patterns to test the limits of what the body is capable of.

Contact
sashaballon@gmail.com
S.Ballon1@student.gsa.ac.uk
website
instagram
Series
Birch Ascending (Betula Pendula)
Installation
She Descends
Wood Structures
Alder Ascending
Seeding
Weaving
FACE-Cut (Performance)

Birch Ascending (Betula Pendula)

birch logs, danish oil, welded steel, steel pipe.

Installation

Details of installation with steel unistrut structure, video projections, wood carvings, textiles, costume pieces.

Installation View

Details of Woodchip Mask

Play - Climb - Move

Unistrut, welded steel, fittings, textile costume pieces, steel chain, steel lever.

Detail of Installation

Unistrut, woodchip, birch rounds, crochet, steel chain, mulberry weaving with yellow rope

Installation View

Installation View

She Descends

a moving image work exploring movement within the woods and climbing trees.

She Descends

Stills from 'She Descends'

Wood Structures

A collection of chainsaw carved wood sculptures. Over the last several months I’ve collected wood from job sites I’ve worked around Glasgow that otherwise would have been sent to a landfill or thrown in the wood chipper. I wanted to breathe new life and bring value to these trees that were discarded. In the installation there is willow, diseased cherry, apple, birch, alder and ash tree.

Prunus Avium (Figure II)

Cherry tree, welded steel, tapestry weaving
For Sale: price on request

Details of 'Prunus Avium (Figure II)'

chainsaw carving finished with Danish oil
For Sale: price on request

Installation View

'After Willow (Figure I),' and 'Birch Ascending'

After Willow (Figure I)

chainsaw willow tree carving, Danish oil finish
For Sale: price on request

Figure III in Ash

Ash tree, welded steel structure
For Sale: price on request

Details of 'After Ash'

chainsaw wood carving, ash tree

After Ash

Chainsaw wood carving, finished with Danish oil
For Sale: price on request

Network of Care

birch chainsaw carving

Holding/Together

apple tree wood carving
For Sale: price on request

Alder Ascending

alder logs, danish oil, welded steel plate, steel pipe.

'Alder Ascending'

Installation View

Seeding

a digital weaving process using archival video and details of the loom

Seeding

stills from video

Weaving

weaving as armour / weaving as resistance

 

Birch Weave

birch weft, wool and birch warp

Installation View

Installation View

Ode to Stihl,MS194

welded steel, chainsaw chain, cotton bedsheets

Details of Ode to StihlMS194

FACE-Cut (Performance)

live performance dates: May 31, 17:30 and 19:30, June 1st, 17:00 and 19:00

live stream digital event : June 3rd, 17:00 and 19:00

 

FACE-Cut is a movement collage which uses the body as extension of sculpture. Following a looping structure which uses failure and dysfunctional movement patterns to test the limits of what the body is capable of. Falling outside of any traditional movement practice, FACE-Cut embraces spectacle and absurdity.

Still from Performance