MDes Communication Design School of Design

Yue Hu (She/Her)

I am a graphic designer who embraces the physical and hands-on processes of making. My practice takes in everything related to the printed matter: editorial design, typography, and printmaking. I use my practice to reflect upon and process the world as I experience it— digging into ideas behind the mundane, the commonplace, and presenting them anew.

Contact
Yue.Hu5@outlook.com
Y.Hu5@student.gsa.ac.uk
@moon_space_no5
Works
A to THE
Tree
Have Fun with Types!

A to THE

What makes A pair of shoes become THE pair of shoes? My answer is by walking in them. Through my practice in typography, composition, and letterpress text, I saw the two words WALK and SHOES as images, scripting a storybook which examines my interpretation of being in a culture as defined in Debord’s The Society of The Spectacle as “moving from being to having and having to appearing”. This project aimed to explore how text and letters could be used as images to create a more poetic, concise, and imaginative scene.

A to THE

Book cover

A to THE

Chapter page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE

End paper

A to THE

Content page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE

Selected page

A to THE
The development of letterpress printing works

Transform from Shoe to Walk

Overlaying print experiment

Transform from A Shoe to MY Shoe

Ink experiment

Walk repeatedly

Overlaying print experiment

Step by Step

Overlaying print experiment

The marks left after walking

Overlaying print experiment

archaeology

Overlaying print experiment

Marks building up on the shoes over time and use

Press and ink experiment

Walk repeatedly

Overlaying print experiment

W

Overlaying print experiment

A to THE
The hand-binding storybook

Tree

This was an intro practice before the main project A to THE I developed during Stage 3. I explored how texture could work as an extra language in image-making by experimental screenprinting.
The subject Tree chosen was inspired by a trip to Oban during the summer vacation. When I was on the train, sitting beside the window, I was so deeply attracted by the big bunch of wildly-growing trees passing by. The energetic vast green was touching. I want to show their beauty and mystery to make people re-aware of the nature around us.

The abstract graphic shape of a tree trunk

Texture experiment-screenprinting

The abstract graphic shape of a tree trunk

Texture experiment-screenprinting

Tree trunk composition

A1-sized screenprinting
For Sale: £12 each

The zooming-in view of the prints texture

Screenprint by mixed media- acrylic, charcoal powder

Charcoal powder overlapping print experiments

The charcoal powder was made by ground burnt leaves

The three screen prints I chose for our WIP show

The print material used from left to right: pure acrylic paint; charcoal powder with a medium overlaying; a combination of acrylic paint and charcoal powder.

Have Fun with Types!

Some selected sketchbook pages about my type design practices. I love the vibrant textures brought by different mixed mediums and tools, adding richer meaning to the texts.

Floating Islands

Handwriting by watercolor

Flower Fortune Telling

Handwriting by watercolor

Straightforwardly

Handwriting by tree branch

ONION

Handwriting by acrylic

Drawer

Letterpress

Tree

Handwriting by charcoal