
Painting & Printmaking
Stow Building, 45 students
The Department of Painting and Printmaking is the largest specialist department within the School of Fine Art and the programme of study provides an increase the breadth of experience and learning opportunities for students.
The programme aims to equip students with the necessary skills and expertise to realise their full creative potential and to pursue a career in the visual arts or other chosen professions. Each year is designed to ensure that it builds upon the previous year in terms of content, skill development and individual research. Students are provided with a sound knowledge of the theory and practice of their subject before developing personal study paths and self-motivated programmes of work in the final year.



from Collapse of Body, Ascension of Mind, Formation of Planes

from Collapse of Body, Ascension of Mind, Formation of Planes

from Installed at “STUCK”, The Glue Factory

from Installed at “STUCK”, The Glue Factory

from Collapse of Body, Ascension of Mind, Formation of Planes






from Prints, 2021-22

from The Trees 1
from The Trees 3

from The Trees 2

from The Trees 4

from The Trees 1


from Confidential Work

from Confidential Work

from Confidential Work

from Can You See My Disguise part. ii

from Confidential Work


from Dreams, installation of 14 framed drawings, A4
from Vogue Mom, oil on linen, 200 x 130cm

from Dreams, installation of 14 framed drawings, A4

from Dreams, installation of 14 framed drawings, A4

from Dreams, installation of 14 framed drawings, A4

from What Do You Do To Feel Better?, Video, Duration 8 Minutes, 2022

from The Shop At Stow, 2022

from Pride and Prejudice, Beerbottles, 2022

from Beermats, Photograph, 2022

from Instillation Shot, Beer Bottles, 2022


from Untitled

from ‘Quiet’

from ‘Supersede Me’

from Untitled

from ‘Setting For a Contest’


from Crystal Blue, in my head

from The Uninvited Guest

from Sissydom

from Quiet Desperation in a Sad Gay World

from Try it Once. Try it Twice. (Sodomite)


from February’s Web

from Gathering the Bones

from The Sacred Forest

from The Sacred Forest

from Twisting and Twining – A Community Project


from ‘In between 2’

from ‘In between 2’

from ‘As it fades’

from ‘As it fades’


from Installation

from Wood Structures
from Installation

from She Descends

from Seeding


from sea (-flag)

from river (-flag)

from kimono-piece

from sea (-flag)

from kimono-piece


from Untitled (The Prettiest Star)

from Psychoanalysis of a Star

from Psychoanalysis of a Star

from Untitled (The Quaternary, Cthulu)

from Untitled (The Quaternary, Ten Pointed Star)


from Selected works September – December 2021

from Mother and Child

from Selected works September – December 2021

from Selected works September – December 2021

from Selected works September – December 2021


from Fraser Whiting’s Undergraduate Degree Show 2022 [Install Images + Press Release]

from Managing Expectations [artist book]

from Fraser Whiting’s Undergraduate Degree Show 2022 [Install Images + Press Release]

from Managing Expectations [artist book]

from Fraser Whiting’s Undergraduate Degree Show 2022 [Install Images + Press Release]


from Untitled

from Untitled

from Untitled

from Untitled

from Untitled


from ‘monsoon in space’

from ‘Audio Pink’

from ‘monsoon in space’

from ‘monsoon in space’

from ‘Audio Pink’







from Sleep

from Sleep

from Sleep

from Sleep

from Sleep


from Wall Of Noise

from Looking Glass

from Lost and Found
from Wall Of Noise

from Looking Glass


from Untitled

from Tree Lovers

from Smoke and Mirrors

from Tales Around the Pond

from Save the Conversation


from object/organism

from Material Ecology in the Symbiocene

from Sea to Soil

from Material Ecology in the Symbiocene

from Material Ecology in the Symbiocene


from Flood of Beings
from Flood of Beings


from I Remember, I Remember (the less deceived)

from It Begins Again From Zero

from But…

from The Mutant Glow (children’s eyes)

from I know it’s Tail (tale)


from I’ve Seen A Robot In The Square Shopping Centre

from Who Knows Where The Time Goes?

from You’re Tomorrow 2018 – 2022
from Who Knows Where The Time Goes?

from I’ve Seen A Robot In The Square Shopping Centre


from 2021-22

from 2021-22

from 2021-22

from 2021-22

from 2021-22


from HARLING

from HARLING








from Back break

from Back break

from Back break

from Back break


from Embroideries

from Embroideries

from Embroideries

from Embroideries


from Christened By Streetlights (Tvilah)


from Installation View

from Undergraduate Degree Show Press Release and Floor Plan

from Installation View

from Slump

from About


from Paintings

from Paintings

from Collection of red drawings

from Paintings

from Paintings


from Make Me Believe It

from Works

from Make Me Believe It

from Constellations

from Constellations


from Cloud Seeding

from Cloud Seeding

from Cloud Seeding

from Cloud Seeding

from Cloud Seeding


from Floorpaintings

from Floorpaintings

from Floorpaintings

from Give Me Some Guidance

from Floorpaintings


from ‘Carved into the Dunes’

from ‘Smudges’ and ‘Smears’

from ‘Unsightly Marks and Greasy Fingerprints’

from ‘Carved into the Dunes’

from ‘Carved into the Dunes’


from M.R.L.C Takeoveer – Degree show

from M.R.L.C Takeoveer – Degree show

from United Checkpoints 2019- 2022

from M.R.L.C Takeoveer – Degree show

from M.R.L.C Takeoveer – Degree show


from DEADSTOCK (HUMAN TOTEM)

from SUBMISSION

from HUNG OUT TO DRY (SLAUGHTERED AND CURED)
from DEADSTOCK (HUMAN TOTEM)

from DEADSTOCK (HUMAN TOTEM)








from Kiss

from Tapioca Genitals

from Uterus Guns (in Series)

from Uterus Guns (in Series)

from Tapioca Genitals


from Chimera

from Chimera

from Chimera

from Chimera

from Chimera

from The future is fragile, 2020
from Heat rises and dust collects, 2022

from Heat rises and dust collects, 2022

from Heat rises and dust collects, 2022

from Heat rises and dust collects, 2022


from The Cave

from Cliff, Light paintings

from The Cave

from The Cave

from Cliff, Light paintings