Interior Design School of Design

Keela McLay

I’m Keela, a Scottish Interior Designer with a keen interest in the versatility of installation and theatrical design, in both realms of fiction and non-fiction, hypothetical and real. I enjoy examining the exploration a user can undertake when occupying an interior space and how different experiences can be had and shared by users through different modes of movement, interaction and investigation within a space.

This year, I created ARCHIVE 118, a space that explores the solid and permanent nature of cast concrete forms whilst considering their use as film and literature based research, viewing, seating and transitional spaces.

Contact
keelamclay@yahoo.com
K.Mclay1@student.gsa.ac.uk
Instagram
Works
ARCHIVE 118
GROUND FLOOR – ARCHIVE
FIRST FLOOR – LOUNGE
SECOND FLOOR – VIEW
THIRD FLOOR – SCREEN

ARCHIVE 118

Welcome to ARCHIVE 118

Physical hand out & descriptor for the space

Oblique cavalier view of ARCHIVE 118

Concrete cast placements

GROUND FLOOR – ARCHIVE

The Ground Floor of ARCHIVE 118 explores the research dynamic of Digital & Physical Archives. ARCHIVE encourages movement and interaction within the space through the use of cast concrete forms - created in situ.

ENTRANCE VIEW INTO THE ARCHIVE - VIA COOK STREET

Archival research comes to life

DIGITAL ARCHIVE

Thing & a visitor occupy a Digital Archive Nook

PHYSICAL ARCHIVE

A visitor & the Creature rifle through the Physical Archive

FIRST FLOOR – LOUNGE

The First Floor of ARCHIVE 118 invites the user to experience tangible iterations of the worlds of fiction & non-fiction. LOUNGE offers a curated collection of prop furniture - Sit-In Sets - for users to habitate, whilst also having the opportunity to grab a drink from a custom vessel at the What A Mug! bar.

SIT-IN SETS

Examples of Sit-In Set configurations

WHAT A MUG!

Edward attempts bartending at the What A Mug! bar

SECOND FLOOR – VIEW

The Second Floor of ARCHIVE 118 focuses on the users connection with curated display & film viewing within small auditorium-esque spaces. VIEW presents a collection of prop/ replica artefacts contained within a series of cast concrete plinths, whilst also merging characterful design & digital technology within six Viewing Rooms - available to book for educational or recreational, independent screenings.

CAST CONCRETE DISPLAY PLINTHS

A visitor regards Tybalt’s gun from Baz Luhrmann’s Romeo and Juliet, 1996

MULTIPLE OCCUPANCY VIEWING ROOMS

Considering the mood & aesthetic of the multiple occupancy Viewing Rooms

RAISED CAST CONCRETE PLATFORMS

Implementing raised cast concrete forms within the larger Viewing Rooms so as to utilise space, capacity & viewing clarity

VIEWING ROOM INTERIOR

Knives Chau watches Jennifer’s Body inside the Pink Viewing Room

THIRD FLOOR – SCREEN

The Third Floor of ARCHIVE 118 secrets itself away at the top of the building, awaiting the entrance of the user & the commencement of the screening experience. SCREEN layers & stacks a collection of TV’s, monitors & screens from the past & present. Simultaneously screening a single film across each display. The experience can be viewed up close via a single device and/or from the stacked cast concrete platforms in the centre of the space.

LAYERED SCREEN WALL

Visitors attending a Screening Event of Halloween III: Season of the Witch, 1982.

JIM HENSON SCREENING EVENT

Dorothy attends the Jim Henson Screening Week, choosing to view Labyrinth, 1986 on a Keracolor spehere TV

STACKED CAST CONCRETE PLATFORMS

Stacked Platforms invite the user to sit, step & surround whilst viewing